People who write historicals are generally people who enjoy reading historicals. My own interest in historical romances, specifically Regencies, developed several years before I tried writing one. I was in college when I first ran across a book by Georgette Heyer, and over the years I continued to read her books. I found myself growing increasingly fascinated by the manners and customs of the Regency period as described by Ms. Heyer.
As a twentieth-century American, I had a great deal to learn about the early 1800s in England. Not only was I puzzled by the names of carriages (curricle versus phaeton versus coach, etc.) and items related to fashion (words such as pelisse and reticule), but I was also unfamiliar with the correct way to address the aristocracy (such as My Lord versus Your Grace). I tried to learn from context but quickly realized that this method was unreliable.
Keep in mind that this was in the days prior to the Internet and the many resources available there, so my ability to research the period was limited. I eventually found and purchased some books and subscribed to a Regency newsletter, all of which helped but still left many questions unanswered.
Some years later, after I joined the Romance Writers of America and then the Beau Monde chapter of RWA, I was able to reap the benefits of the research done by the wonderful ladies who study and write about the Regency period and who are so willing to share their knowledge.
One of the things I quickly learned is that there is not universal agreement about how things were done during the Regency because not every activity or custom was documented. I also learned that many of the Regency customs we as readers take for granted might not have actually been practiced during that time.
Take, for example, dance cards. I’ve read many Regencies in which the heroine fills in the names of her admirers as they request dances at a ball. In fact, I’ve even written scenes with dance cards. But some researchers say dance cards didn’t come into vogue until after the Regency period.
All in all, this is a relatively minor point to my way of thinking, and I certainly don’t object if a Regency writer has her heroine using a dance card. But I do object if the hero consults HIS dance card, and this occurred in a book I read recently. Although it’s possible that the author had researched dance cards and discovered that they were sometimes provided to gentlemen, I as a reader didn’t enjoy visualizing the hero carrying a dance card and I was yanked right out of the story. As I read the remainder of the book, I found similar situations that one doesn’t expect to find in a Regency, so I’ll probably not buy that author’s books in the future.
Basically, then, I have found that the historical writer must not only attempt to be accurate regarding details of the period but must also be aware of readers’ expectations. What about you? What are your expectations in regard to historicals? Do you want to read about certain customs that you’ve come to associate with the period? Should the language include particular words or phrases that help you immerse yourself in the time period in which the book is set?
Or do you tend to lose yourself in the story and pay little attention to details? I’d enjoy reading comments about your reactions to the situations in historicals that you’ve come to expect and that you either love or hate. As for me, when I write Regency scenes in the future, I’ll strive for accuracy but keep in mind that reader expectations may be more important than the author’s absolute adherence to the facts as we know them.
{ 12 comments }
Those of you who write historicals have my admiration. It’s hard enough to get details right in contemporaries, I can’t imagine the tiny things to which you have to take time from your writing to chase down the answer–if you even can find an answer.
As far as details when I’m reading, I pay much more attention to the story and characters. Of course, I’m not an historical buff like many historical readers seem to be.
Here’s to your continued sucess, Carolynn. If anybody deserves it, it’s you!
Thanks, Cheryel. I appreciate the good wishes.
I suspect that like you, many readers are more interested in the story and characters than historical details, although Regency readers seem to have certain expectations and feel strongly about them. Unfortunately, knowing what those expectations are can be a real challenge. LOL
As long as it doesn’t jar me out of the story, I’m okay with a little literary license. However, I think a man checking a dance card would ruin my idea image of “the hero.”
I’m also of the opinion that historical accuracy is somewhat of an oxymoron. Most of it is based on what has survived, and what survived may be fiction. So, I don’t get too upset over the accuracy of historical reads – unless it’s silly or alters my perception of a character.
Great blog, Carolynn
Jessie
Carolynn is right about the research. You can get lost in it and want to add every little tidbit to your story. Your reader wants a little history with a great love story. Great blog.
Thanks for your feedback, Jessie and Deborah. Nice point, Jessie, about history being based on what survived. And I think most writers are aware that their facts may, in actuality, be fiction, but at the same time, we want to make sure our readers get what they expect. For example, I recall as a reader growing extremely upset with an author because I was sure she’d gotten a fact wrong. Later I learned she was right but because the situation was different from what I’d come to expect for the period, I’d misjudged the writer. I hope to keep that from happening to me.
And I totally agree, Deborah, that what people want foremost is a great love story!
Carolynn,
Excellent blog. I, too, got hooked on Regencies by reading G. Heyer. My neice brought a groc. bag of them over to my house when she was in college. She had been to the used bookstore. We spent the weekend reading them.
I then branched out to reading any Regency I could find.
Just wanted to tell you how much I enjoyed your blog.
Mary
Great post, Carolynn! In my opinion, if you’re going to write something other than paranormals or super-sized fantasy novels, I think historical accuracy is of the utmost importance. I enjoy reading about what life was like way back when, and if I suddenly read about a canned beverage or some tool that couldn’t have been made back then I’d be more than jarred out, LOL! As a reader of historicals I can appreciate the time and effort put into research that makes the story more enjoyable.
On another note, it’s nice to see you Jessie, Deborah and Mary!
Mary, are you still writing Regencies?
Thanks, Mary and Heather! I’m delighted that you enjoyed the blog.
Wow, Mary–a whole weekend of reading Georgette Heyer! What fun that must have been. I’ve collected Heyer books for years and have some of them in hardback but haven’t read any in a long time. Need to go back and do that. (I enjoyed your Regency, btw.)
And Heather, I know just what you mean about being jarred out of the story although I sometimes think I’m becoming too particular. I hate it when an author mentions buttons on men’s shirts during the Regency, especially when the heroine tears his shirt off and buttons go flying. Guess I need to lighten up. LOL
Carolynn:
Great blog. And I too am dragged out of the story when I run across something that isn’t historically accurate.
The greatest compliment I’ve ever gotten is an English author read my Scottish medieval and said that it was the most historically correct medieval Scottish romance she’d ever read and that she’d loved every word.
It thrilled me to no end.
Write on,
Teresa Reasor
This is a great subject to bring up, Carolynn, because it’s something I struggle with in my Victorian-set dark fantasy series.
I’m definately perturbed by anachronism (when I’m sharp enough to catch it) and yet I realize we’re all, in a sense, adapting to our modern world as modern authors.
In my upcoming series, I want to give the flavor of the language and yet avoid Dickensian (though I love him, bless him) paragraph sentences. I think the reader (and agent and editor) expectations for our genre have adapted to a less verbose culture than in Victor Hugo’s day. (Didn’t he spend about 10 pages in Notre Dame describing the door? Again, love him, bless him.)
My favorite rejection letter, before The Strangely Beautiful Tale of Miss Percy Parker found a home at Dorchester was from an editor telling me: “Well, it’s a little too Victorian.”
Thanks. I think.
What became evident through talks with my agent was that while I had to keep Victorian flavor in both setting and dialogue, what I thought was clever, British, subtle 19th century pacing wasn’t working for a genre historical/paranormal/fantasy. Needed more “Illusionist” pacing, and less say oh, “Remains of the Day” (though I love that movie, bless it)
But see Carolynn, this is where I’m a big cheater. I set the books in 1888, but since it’s other-worldly and a bit fantastical, things can be a lil’ loose if they have to be. Cheater.
:)
Thanks for the discussion!
Thanks, Teresa. And I don’t blame you for being thrilled by that compliment. You should be!
Wow, Leanna, your writing sounds enthralling! Hmmm…1888 with an other-worldly and fastastical flavor. This I’ve got to read. Thanks for joining the discussion.
I want accuracy but I can live with a little authorial license here and there. I don’t like to be preached to in a historical about all the wrongs and ills of society and I don’t want characters who are too modern. They don’t fit and if I wanted modern, well, I’d read modern settings! :)