Debra Webb, Guest Blogger :: Renovation Realities

Renovation Realities

by Debra Webb

Don’t worry I’m not going to talk about renovating this hundred and ten year old house of mine—though I could tell you some horror stories! I’d like to share a lesson I’ve learned over eighty-some-odd books. There is one absolute truth about creating a fiction novel: the story is only as good as the characters. If you’ve been around the publishing world for a while, whether published  or unpublished, this is not news to you. And if you’re not a writer but love to read, you know this from experience as well.

When I consider my favorite movies it’s quite easy to nail the reason I love them. Gladiator is one of my favorites. Not because I’m into watching the gore and violence or because the plot line was particularly compelling to me, but because of the character, Maximus, that Russell Crowe played. His brooding, wounded hero portrayal proved outstanding, in my opinion. Who can forget the lines, “…Father to a murdered son, husband to a murdered wife. And I will have my vengeance in this life or the next.” Amazing! Then there’s another of my all time favorites, Long Kiss Goodnight. I loved, loved, loved Samuel L. Jackson in this movie! His portrayal of the character Mitch Hennessey was awesome and unforgettable. I have many, many other favorites. The reason I’ve presented these two particular examples is to demonstrate my renovation realities theory.

Generally when a story starts to develop in my very twisted mind I have one of two elements as a launching pad—a character that has stolen my attention and insists on being written or a plot idea that won’t leave me alone. Either way, it’s the characters that ultimately get the most of my time. Because I fully understand that when you hear a reader say, “God, I loved that story!” it is the character/s he or she loved. Creating those memorable characters is the key to an unforgettable story. Consider some of the classics that have endured the test of time: To Kill a Mocking Bird or Gone with the Wind. Both of those novels capture a time and place that is stunningly palpable to the reader. You can feel the story, taste it…smell it. But when you hear readers, young and old, talking about those stories the actual topic being discussed is nearly always one or more of the characters. Both authors created truly unforgettable characters.

So, how do we go about creating that unforgettable character? First, we make them real. Second, we renovate until we can stand back and say “yes, that’s what I was going for.” Whether you’re writing a wounded rogue or a quiet, sensitive computer whiz, he must have numerous layers just as real people do. It’s not enough to merely give him a name, a date of birth and profession, you need to give him the same elements a real guy would have. Where did he grow up? Any siblings? What about his parents? Dead? Divorced? Has he or she been married? Divorced? What was the environment like in his childhood home? What good or bad things happened to forge his personality and way of thinking? Whatever steps he takes, whatever judgments he makes about the plot, the other characters or his life in general are all motivated by who he is. You can’t fully develop who he is unless you give him a complete history. Think of your own life and the environment and events that made you who you are. That’s what you need for each of your characters. Whether it’s the hero or the heroine or the villain. Yes, the bad guys/gals have to be real too. The absolute best bad guys/gals are the ones readers feel some slight connection to. Creepy, huh? But it’s true. Look at Dr. Hannibal Lecter in Silence of the Lambs. A truly gruesome, sick character. But he had so many, many layers. Extreme intelligence. Charm. Etc. No matter that he was a demented killer, there were tiny, tiny fragments of who he was that were undeniably relatable.

MOTIVE IS EVERYTHING.

That’s right. Motive. Every single day of our lives we wake up and make one decision after the other. Whether to make the bed immediately upon rising or leave it for later. What to wear. Shower? Make-up? What to eat for breakfast? Load the dishwasher or not? A second cup of coffee or not? Spouse, kids, school, work, bills, etc., etc., etc. All those things and many, many more require decisions every day, every hour, every minute. Every single decision we make, spontaneous or not, is motivated by who we are and our thought process. What happened to you when you were five and older sister locked you in the closet? What happened on the playground when the bully took your milk money? How it felt when your first love dumped you because he/she was a complete idiot but you didn’t realize that until a long time later.

WHO IS HE/SHE?

Give him or her a life and fill it with a history and I promise you will have created a compelling and unforgettable character. Now I don’t have any fancy charts or research books. I don’t even do all this up front. Most of the time I do it along the way (which means going back and layering—so if you can do it all up front, kudos to you!). That’s the renovation part. Yeah, I know, most folks (especially editors) call it revising. I prefer to think of it as character renovating. When I think of Victoria Colby-Camp, head of the Colby Agency, she is a perfect example. The first Colby Agency book, Safe by His Side, featured Victoria Colby (before she married the venerable Lucas Camp!). At the time she was a nice, “older,” lady who had a history with at least two sad components: her seven-year-old son had been stolen and her husband had been murdered. These horrific events had taken place about sixteen years prior to book one. With each installment of the Colby Agency, Victoria and certain other characters, Simon Ruhl, Ian Michaels, Lucas Camp, to name a few, took on lives of their own. These characters became staples of each story. This month, Colby Lockdown, hit the shelves and it is the 37th installment of the Colby Agency series. Yes, I said 37! This is the largest (as in number of books) author series in Harlequin’s history.

There is a scene in Colby Lockdown where the terrorists who have overtaken the Colby agency deem that someone has to die. Victoria steps forward and demands that if someone is to die, it will be her. The head bad guy thinks this is quite amusing. The courageous head of the Colby Agency offering to sacrifice herself to save her staff. So he agrees, Victoria will die first. As I wrote this scene, I really didn’t know what was going to happen. It was one of those unplanned, definitely not in the synopsis moments. But I needn’t have worried, the characters would not let me down. I can’t tell you what happens, you’ll have to discover that as you read the story. But this is the perfect example of fully formed characters. I didn’t need to know what happened next, the characters took charge and showed me what was going to happen. I cried as I wrote that scene. I cried when I read it months later as the story prepared to go to production.

I’d love to hear about your favorite characters from a story you loved or your own renovation reality story about writing a character.

Tagged as: Colby Agency, Colby Lockdown, Debra Webb, Guest Blogger, Harlequin author